Your designs do tell an emotional story, they’re not just fashion accessories.
Yes. Every piece I design has some meaning behind it, some concept. We all have a voice, every one of us. It doesn’t matter how small we are, or how famous, we can do something from the little path that we are on. I know people don’t like to talk about war, but I hope when a person wears or sees this piece, the message might inspire them to think about living peacefully.
So where is Idle Peace now?
Royal Ascot have kept it for their archives, and for exhibitions, etc, but I made an identical one for Fenwick department store London and they sold it! I was so thrilled!
So where else has your millinery taken you this year?
I have collaborated with a lot of beautiful models, mainly young men. They really inspire me, these beautiful souls. I love the concept of gender fluidity, I’m sorry that it is still taking time for acceptance. I want my designs to create a more beautiful world, celebrate diversity and inspire change, and evoke emotion.
I also attended Royal Ascot in June, and spent time with some other milliners I admire, Rachel Henry from Melbourne and also (US milliner) Sarah Sokol, who is amazing. It was amazing!
What does an award like the Lillian Frank Millinery Award mean for an emerging creative? What advice would you give someone who was entering?
I love this direction the VRC is taking. If I were on the judging panel, I’d be looking for something brave and bold and artistic. Nothing mainstream. There is a place for that, but when there’s a competition, you need to go all out and just be brave and create something out there. Something classy, something beautiful. I think that’s all we need in our lives.